3 Tips To Create Brand Power In Your Marketing

May 18th, 2012

Have you ever walked into a board meeting and tried to hide the fact that you were really nervous about your presentation?  I expect something similar has happened to most of us. Maybe it wasn’t a board room.  Maybe you were called in to the CEO’s office to “discuss something” or give your thoughts on a specific situation.  If you can relate to this feeling, you know how being around people with power can influence your thoughts, actions and behaviors. According to Sally Hogshead, when we talk to a powerful person, our boundaries are lowered, which in turn makes us more resistant and skeptical.  However, people in this situation, are more open to suggestion and more easily persuaded. Now, think about how that same concept can be applied to your brand and marketing.

Remember the commercial campaigns Never Let Them See You Sweat, promoting Dry Idea.  To jog your memory, here is an old video clip of the Dry Idea campaign with Dan Reeves (Sorry about the poor resolution):

 

 
According to Sally Hogshead, you can infuse power into your brand by incorporating a few techniques.

3 Tips to Create Brand Power:

  1. Control the environment – Define a new set of rules on your terms
  2. Establish a ranking system – Take the alpha stance
  3. Reward and punish – Seek respect above affection

 

 
Control the Environment

Landmark Forum, often accused of brainwashing or of being a cult, uses their controlled environment to limit distractions and lower participant resistance.  Amelia Hill published an article in The Observer“I thought I’d be brainwashed. But how wrong could I be…” that provides her experience.  She also quotes another attendee, Doug Tucker, who shared his experience at the same event.  This is what he said:

“This course has transformed me. And the funny thing is, I didn’t know I even had it in me to transform,’ he smiled. The Landmark Forum is not magic. It is not scary or insidious. It is, in fact, simple common sense delivered in an environment of startling intensity.

It is this intensity that makes the difference. While any one of us might well have already been told the same home truths by friends and family, we were too distracted by life and too wrapped up in our own defense mechanisms to listen.

Landmark takes you away from life. The three days create a bubble of possibility in which we were able to try on new opinions and experiment with fresh behaviours.”

If you love Sushi, think about how this concept is applied at Sasabune (http://www.trustmesushi.com) in Los Angeles.  Susabune controls their restaurant environment by limiting menu to “real sushi” instead of Americanized sushi.  And if a customer walks in expecting to get a California Roll, they won’t find one at Susabune.  Oh, and try the special.  Every day it is the same, TRUST ME.  Each chef’s make a big power play by asking, no demanding that their patrons trust them.  They yell at those making poor requests and even kick out budget-conscious, newbies.

Sasabune

Establish a Ranking System

Ranking systems fascinate us because they establish the group’s “celebrities,” or alpha members.  Much like Susabune positioned their sushi at the highest level of sushi quality ranks. We see this all the time in social media, corporations, schools…everywhere.  So, why not your brand?

Rewards and Punish

Suze Orman has established best practices for managing debt and finances.  Her audience has heard her preach the same information over and over again.  Yet, for some reason, audience members still stand up to confess their mistakes.  They know, yet still, they open the door for Suze’s wrath. Powerful leaders establish the rules and enforce them with strength.  No special treatment. If you break the rules, you face the consequences.  In fact, many leaders leverage the rewards by withholding praise.

Have any additional tips to create brand power?  I’d love to hear them.

-Kim

 

 

3 Tips to Infuse Prestige Into Your Marketing

April 20th, 2012

Think about your business culture, and how you identify your top partners, customers, and even employees. Do you give out awards, specials logos for top performers, reserved parking spots, or even exclusive invitations to events? All of these items contribute to building prestige, which defines one member’s social position relative to others. Prestige is a trigger that often evokes admiration, but more often, competition and envy.

According to Sally Hogshead, When the prestige trigger gains momentum, it creates irrational behavior. People go to great lengths to attain the object of their fascination. Use these techniques to trigger individuals driven by prestige:

  1. Set a new standard – Elevate your message above the dogfight
  2. Limit Availability – Scarcity increases value
  3. Develop emblems – Offer ways for people to relate to each other

 

These tips are all great ideas, but they must be supported by providing value for the achievement. For example, in a Business to Business environment, you may reward your top sales performers with emblems. Think about Mary Kay Cosmetics and the employees that earn a pink Cadillac. That pink Cadillac will spark conversations that uncover new opportunities for the prestigious sales person that earned the marketing automobile every single day it is driven or parked. Similarly, businesses earning logos like Gold Partners, Presidents Circle, Certified and so on, win instant credibility with prospects. These symbols can make the difference in winning new business, and therefore deliver value.

Similarly, you can reward customers that are early adopters of your product by providing exclusive access to products before they go to market, or face-to-face time with product developers and senior level management. You may even give them a special badge in your online community that identifies them as an expert on your products.

Whatever methods you use to trigger prestige, make sure the value serves both your company, and the recipient. How are you fueling the competitive nature of your customer base? Are you incorporating these ideas into your campaign creative elements today?

Learn more about the Sally Hogshead‘s 7 Triggers and how you can leverage them in your advertising. Visit these related blog posts:

-Kim

Advertising Alarm: 3 Tips to Get Action

March 1st, 2012

Think of any presentation you’ve had to give in front of a crowd.  You first feel alarm.  And then must quickly respond to get rid of the perceived danger, usually fear of failure.  This panic causes a flight or fight reaction.  Will you quickly get off the stage, or give it your best shot?  Anytime you invoke the trigger of alarm on others, you push them to act.  Most people will follow instinctive motivations and often abandon rational thought. How can use this physiological trigger in your marketing to get results?



Sally Hogshead, author of Fascinate: Your 7 Triggers to Persuasion and Captivation, shares 3 tips to creating alarm:

  1. Define consequences. Specific demands cause more specific action.
  2. Create deadlines. Time limits incite faster decisions.
  3. Use distress for positive action. Use shared concerns to motivate, unite + involve

Learn more about the Sally Hogshead‘s 7 Triggers and how you can leverage them in your advertising.  Visit these related blog posts:

Let us know if you some tips of your own to drive action!

-Kim

Advertising: The Power of Unsolved Questions

January 19th, 2012

Have you ever wondered why we feel compelled to solve a mystery?  Why we must unravel the unsolved questions?  Our fascination and the power evoked by the desire to answer these questions creates an amazing advertising opportunity. Think about the years of advertising by McDonalds and KFC to trigger consumer’s need to learn more.

Advertisement for Secret Ingredients KFC and McDonalds

Remember the commercials with the Big Mac jingleBig Mac contests were run around the world, and the Big Mac special sauce, similar to KFC’s secret spices, was a mystery to be solved for years to come.  And, think about Coca Cola’s long run of advertising around their soda’s secret ingredients.

Coca-Cola’s secret ingredient has remained a secret since the soda’s invention in 1886. The company has kept its prized list of ingredients in a vault inside the Trust Company’s bank since 1925. While that is fact, who really knows what information after that is fact or fiction? Coca-Cola, brilliantly uses mythology to build the mistique through reporters and consumers. Have you ever heard the myth that only two Coca-Cola executives know Coke’s formula; however, they each know only half. And, executives who know the recipe cannot travel in the same airplane, because in case of a crash, the recipe would be lost forever. Regardless of what is true, Coke has simply captured the “how-to” in using the mistique trigger in advertising.  And, they are still doing it!  In Feb, 2011, Coke  gave the promise of a reveal, but only showed a flash, a tease, of the secret formula during the Super Bowl playoffs. Take a look:

While Coke has leveraged their secret formula to create a specialness around their product, I don’t believe this has been the result of pure brilliance.  Perhaps their success actually comes from the fact that it doesn’t makes sense to share your secret ingredients when they could be considered a drug.  The Coke recipe, which originally included cocaine, became cocaine-free in the 1920s. While the drink is now made with cocaine-free coca leaves, a little conversation buzz still remains.  (Wikipedia has more on the “decocainization” process Coke uses to process the coca leaves)

Your brand can learn how to create mistique without having a secret history like making Coke from “Coke”Sally Hogshead, author of Fascinate: Your 7 Triggers to Persuasion and Captivation,  shares 3 rules to creating mistique:

  1. Spark Curiosity – Ask questions without giving the answers.
  2. Withhold Information – Reveal less than expected.
  3. Build Mythology – Use Stories.  Not facts.

In some cases it might be too challenging to create mistique around your product or service, but you can apply these three rules to your marketing campaigns.  Just remember, when the secret is revealed, it is over.  The mystery is solved.

Share you next unsolved marketing mystery here!

-Kim

Learn more about the 7 Triggers in these related blog posts:

*Hogshead, Sally (2010-01-21). Fascinate: Your 7 Triggers to Persuasion and Captivation. Harper Collins, Inc., Kindle Edition.

Lust in Advertising? Absolutely!

December 16th, 2011

Well, how about you? Got LUST in your advertising? Don’t be so quick to rule out the use of Lust in your strategy and ad creative. Lust is a powerful trigger that causes people to lower their defenses and consider something they might not otherwise.

Sally Hogshead - Lust Trigger

Source: http://sallyhogshead.com/archives/320

Last month I wrote an article about Sally Hogshead, author of Fascinate: Your 7 Triggers to Persuasion and Captivation, and I thought it would be helpful to dive into each of the triggers in more detail, and learn more about how to use them for advertising. The first trigger, Lust, is one of the most exciting, because it throws all sense of logic right out the window.

How many times have you made a choice that absolutely was not rational, but you did it anyway, or bought it anyway?  Well, I hate to admit it, but I have…plenty of times. That candy apple at The Rocky Mountain Chocolate Factory simply had my name on it–in marshmallows. I am sure I complained about the sugar dripping off the corner piece, as I shoved it in my mouth.  Yup…lust!  A craving that you just want to satisfy. You may find when you give in to it, it often doesn’t satisfy you anyway.  But, at least you no longer have the craving.  Why is that?  Forget about the why…how can you create that same lust with products that just aren’t, well, sexy or alluring?

Sally Hoghead shares her bag of sensory tricks for Lust:

  • Stop thinking, start feeling.
  • Make the ordinary more emotional.
  • Use all five senses.
  • And tease and flirt.

Instead of selling a brand simply on rational benefits, this trigger focuses on creating an experiential attachment. Remember the commercial–sing it, “I am stuck on Band-aid brand, ‘ cause Band-aid’s stuck on me!” The ads I remember had images of kids that were so happy to have their boo-boos all fixed up.  Any parent can relate to the emotion of a child having an emotional breakdown over the smallest little scratch.  Johnson and Johnson (J&J) always humanize their products, making the ordinary more emotional.  So, feelstorm with your teams.  Well, you can’t brainstorm. You have to stop thinking and start feeling! Humanize your brand and invite your customers to come closer.

Sally Hoghead shares two great examples to compare, Windows and Apple.  Is there anything more to say?  You can incorporate all of your product information and facts on your websites, brochures, and campaigns.  But, you will never win against a brand that can make the ordinary more emotional. In fact, when a company launches a new product, and other people create compelling advertisements, you can be sure they were triggered by lust.  A perfect example is the video created by Jesse RosteniPad + Velcro = Love.

iPad + Velcro from Jesse Rosten on Vimeo.

Start thinking about how your product or services would could apply to all the senses, and rethink your creative strategy. I dare you!  And, I can’t wait to hear about them.  If you have examples of products you love that have done this well, share them here.

Thanks,

-Kim

Hurry! First 10 Subscribers Unlock Powerful Advertising Secrets

November 22nd, 2011

Ok, there isn’t a rush. My primary TRIGGER is Alarm. The truth is my personality test reveals I better not stay up late and watch T.V., or I risk buying a vacuum, workout equipment, skin care products, and every other “must have” item that has a special price if you call now. Advertising with a deadline or sense of urgency gives me the push to respond. So, I thought I would test this approach in my creative copy.

You’re here, but I only have  9 seconds to captivate you.  Yes, your attention span (oh..um..if you’re average, which couldn’t be you) is the same as a goldfish!  I’m not kidding–9 seconds–that is the reality and challenge of marketing.  How do you captivate an audience in 9 seconds or less is this A.D.D. world filled with message overload?

You must fascinate or become obsolete, according to Sally Hogshead.

I participated in a LinkedOC event, and Sally Hogshead fascinated me with her keynote.  It really got me thinking about what make me respond to advertising. Then I started thinking about how differently each of my friends would respond to the same type of advertisement.  And, the simple fact is that we all respond to advertising differently.  Why?

Sally Hogshead, author of Fascinate: Your 7 Triggers to Persuasion and Captivation, shared some entertaining and extremely valuable research with the group.  If you don’t mind sharing,  tell me how you would answer these questions?

  1. Are you a better driver than the average driver?
  2. Are you better looking than the average man/woman?
  3. Are you more fascinating than others?

According to Sally’s research, respondents believe  they look much better than average, and are far better drivers.   If I remember correctly, I think the better driver stat was well over 80% of the participants.  However, only 39% believe they are more fascinating.  So, we look great, drive very well, but we are BORING!

She at least gave us reassurance that we were fascinating when we were born, and we can be again.  Sally applies the same course of action to brands and individuals, and she challenges both to “unlearn how to be boring.” How?  Start by identifying and learning how to create content to ignite these triggers.

Your 7 Triggers to Persuasion and Captivation*:

  • Lust If you trigger lust, you will draw others closer. They will crave your message, wanting more and more until satiated.
  • Mystique Trigger mystique, and you’ll encourage others to learn more about your message. They’ll be intrigued, and seek information.
  • Alarm With alarm, you compel others to behave more urgently. They’ll take action in order to avoid negative consequences.
  • Prestige A message with prestige will elevate you above others, inspiring covetousness or envy.
  • Power If you effectively trigger power, you will control others. They will defer to you and your message.
  • Vice By triggering vice, your message will tempt others to deviate from their usual code of conduct. They’ll act outside of standard habits or norms.
  • Trust With trust, your message will comfort others, relax them, and bind them more closely to you.

I took the fascination score to determine my own triggers, and the entire foundation just makes sense.  If you could take a marketing message/products/services and appeal to the triggers that fascinate your prospects and customers, why wouldn’t you?  Do you agree with Sally Hogshead that fascination is the shortcut to persuasion?  Take a look at how you respond to ads.  Notice the creative design elements and messaging.

I look forward to hearing what ads and brands fascinated you!

Take your fascination score (F-score) to learn your primary and secondary triggers.  Report back and let us know what you learned.

My primary is Alarm, and my secondary is prestige.  My dormant trigger is Mystique.  Shoot!  I did it again…gave away too much information here!

Watch for upcoming articles on each trigger, and how you can appeal to them with your brand.

-Kim

*Source: Hogshead, Sally (2010-01-21). Fascinate: Your 7 Triggers to Persuasion and Captivation (pp. 247-248). Harper Collins, Inc.. Kindle Edition.

Website Makeover: Creative That Leverages Every Word For SEO

November 5th, 2011

Does  your font reflect your brand?  How creative is your creative?  Does your brand name count toward SEO, or is it an image? It seems like there are always too many rules and too much risk to create what we really want.  Let’s face it, just because you designed a killer heading style for a magazine, doesn’t mean it will work on a poster or a website.  The reality is that each piece created is viewed differently.  A magazine spread is pretty cut and dry, since it is typically viewed straight on at an arms-length distance.  Posters are often viewed from different positions at further lengths, often at angles, which requires skillful placement and design of text.  Then you add in your website, and you face the elastic nature of the web pages, different computer platforms, various browsers, and now mobile viewing.  You really have to understand each environment.

These challenging environments force designers into using graphics, instead of text, for company names, call-to-actions, and other focus points on the web page.  Often these focus points include text that would really help with Search Engine Optimization (SEO).  Bummer.  So, I thought it was really awesome to see Adobe Systems Inc. announcing the acquisition of Typekit at the MAX 2011 Keynote last month.   Strategically, this transaction is a key component of the Adobe® Creative Cloud.  More important, Typekit fonts will remain a standalone service, but will have the backing and expertise of Adobe behind it.

Typekit gives you the ability to change the way you design.  It is a service that allows you to select from hundreds of web fonts.  Basically there is a Kit Editor that lets you apply your font to CSS classes, IDs, or any of the HTML tags, and once you publish, your fonts are served up through a network of servers.  And, if you have ever experienced the hoop jumping required to work through the legal maze, you know that using a service to ensure legal compliance is extremely valuable.

Check out this example of Jax Vineyards:

Jax Cabernet Sauvignon

Source: http://www.jaxvineyards.com/#/cabernetsauvignon

The pages load very quickly, and the fonts really make the name of the wine stand out, while leaving the page clean and very readable.  More important, you can highlight all levels of the text, and see they are actually fonts rather than images.  Can you imagine the UGLY website we might see?  Ok, this one isn’t a live site, but was used as an example, but it shows just how crazy some font-loving designers might go!

Two Paper Dolls Website at the MAX 2011 keynote

Source: MAX 2011 Keynote, Two Paper Dolls Example

This is the time of digital marketing.  And with this shift in consumer buying habits, your website and content must be appealing to hold interest.  Businesses have had to sacrifice creative fonts to ensure search engine optimization and ensure browser compatibility.  More important, there are challenging copyright hurdles and red tape which makes web typography even more frustrating for those that dare to venture.

So, if you are planning a make-over for your website, rethink your design.  Let your creative inspire you.

Oh, if you have seen examples you want to share, post the links here.  Examples of what NOT to do are always good (and entertaining too).

-Kim

Healthcare Spending on the Rise…For Advertising

September 21st, 2011
It’s definitely no secret that industries across the board are suffering from this economic downturn.  Everyone you know has taken a hit financially, one way or the other.  Companies are cutting back.  Unfortunately, when it comes to advertising and marketing services, we’re always the first to feel it when clients have to tighten their belts.  But, to my happy surprise, I just read that healthcare spending is on the rise for some advertising agencies.  And the biggest reason – hospitals!
 
According to the Kantar Media unit of WPP, in the first six months of 2011, advertising by American hospitals, clinics and medical centers rose 20.4 percent, to $717.2 million, from $595.5 million in the same period in 2010.  That is awesome!
 
It seems that advertising agencies increasingly are trying to quicken the pulse of consumers, who have come to expect ads with doctors in scrubs posing with impressive machinery, ad copy boasting of “skilled” doctors and “caring” nurses, and the latest ratings from U.S.  News and World Report.

Source: www.andertoons.com

From my experience in developing marketing programs for healthcare organizations, I’ve found that focusing on the consumer’s wants and needs is the first place to start when creating advertisements or any collateral.  As a patient, I am more interested in how the hospital can help me, in terms of the services offered, but also, the location, what other patients have to say and word-of-mouth.  Patient testimonials are huge– and the more and varied you have, the better you can relate to a diverse population.  It’s very important to brand a hospital, and not by showing a building, pictures of medical staff or machines.  Overall, I don’t think people care about those things.  The most important thing is – what can you do for me or my family.

When you are looking to go to a hospital, clinic or medical center, what things matter to you?  What aspects are important in making your decision on whether to go to ABC hospital or XYZ clinic?

And, if you know of any hospital looking for some advertising help, please send them our way!

-Lorena

The Corporate Process of Designing a Stop Sign

August 24th, 2011

This is an oldie but goodie video that gets referenced at least a dozen times every year by all advertising agencies on the planet. However, as popular as this video is, we’re continually surprised at how many people haven’t seen it. So, we thought we would give it one more delightful go-around.

The video starts off innocently enough, with a major corporation assigning an advertising agency with the task of designing a stop sign. From there the hi-jinx begins as the video deftly walks the viewer through each and every painful aspect of the creative process. Now, clients of agencies…please don’t take offense! We completely understand that everyone has a gun to their head in some form or another with standardized messaging, pet peeves of senior executives, or you just fear being ridiculed by an overbearing boss for not having thought of absolutely every, teeny, tiny, detail. We ALL serve many masters, this just happens to be an enjoyable way to poke fun at it.

Cheers!

-Brandon

Get Your Hands Dirty – Technology vs. Creativity

June 16th, 2011

Flipping through movie channels a few weeks ago, I stumbled upon “It Might Get Loud” (2008), a documentary directed by Davis Guggenheim, starring Jimmy Page, The Edge and Jack White. How I slept on this excellent documentary for three years is beyond me.  The film is an exploration of each of the artists and how their respective backgrounds and environments influenced their art form, which in this case is music. If you consider Page, The Edge and White, you can see why these three were a good choice for a collaborative documentary, as they represent three generations of rock n’ roll. There are many great moments in the film, but there was one particular line that struck a chord with me. It’s a quote from Jack White on the subject of creativity:

“Technology is a big destroyer of emotion and truth. Opportunity doesn’t do anything for creativity. Yeah, it makes it easier. You can get home sooner, but it doesn’t make you a more creative person. That’s the disease you have to fight in any creative field. Ease of use.”

As designers, we know this to be true. If you’ve had any formal training in design, you probably were taught to begin a concept with sketches, drawings, thumbnails, brainstorm sessions and story boards. However, in the fast-paced, technology-driven world we live in, we sometimes resort to faster (lazier) methods. One of my professors, Nick Kuipers, warned me never to sit down at the computer until I had fleshed out an idea or two on paper and had a good idea of what my overall layout and elements would be. The blank screen, much like the writer’s proverbial blank page, can be a real buzz-killer.

Although the greater part of my work is done digitally, I’m always trying to find ways to work traditional methods and techniques into a project. One of my favorite tools is the scanner. A scanner allows me to bring natural line work, organic textures and other materials into a digital piece. In the vein of keeping things organic, I’d like to introduce you to three artists whom I’ve been following for years. Through their sketch blogs and published work, I’ve found insurmountable amounts of inspiration.

Jonathan Wayshak scrapbook Manifesto

Jonathan Wayshak (Scrapbook Manifesto)

He is a master of the subversive with some of the greatest line work you’ll ever find. Wayshak works exclusively in analog. A caption from Wayshak’s site pretty much sums up his opinion of digital illustration:

“I’m going to be using this to demo some ink drawing techniques today for Barron Storey‘s sequential art class over at CCA. Trying to get the kids to drop their *#$! Wacom tablets for a minute and get their hands dirty.”

Indulge yourself in Wayshak’s world at: http://www.scrapbookmanifesto.com

Ashley Wood Bombacard

Ashley Wood

Back in college, some of my illustration classmates turned me on to Ashley Wood, an accomplished illustrator and comic book artist from Australia. At the time, Wood’s blog often featured screen shots of his desktop while working on Adobe Photoshop canvases. As a student, these screen shots fascinated me because they revealed some of his techniques as well as his work in the primitive stages. Gradually, Wood’s blog has shifted and he now features traditional paintings almost exclusively. He seems to crank them out at a furious pace. There is rawness to his work and looseness to his color that I’ve always admired.

Follow Wood‘s blog at: http://www.ashleybambaland.blogspot.com

Templesmith This is Snowtown

Ben Templesmith

Ben Templesmith, most famously known for his graphic novel series (and film adaptation) “30 Days of Night,” is another analog force to be reckoned with. What I enjoy the most about Templesmith’s work is his ability to go from painstaking detail to a complete scribble, all in one composition. It’s easy to see how his murky, blood-encrusted illustrations in the “30 Days of Night” series translated from a creepy horror on paper, to sheer terror on the big screen. He also happens to be a pretty interesting guy to follow on Twitter, where he posts tons of sketches and photos.

Check out Templesmith‘s official site at: http://www.templesmith.com/faze3/

What I love about all of these artists is their ability to let go. The imperfection. The raw emotion. They have something that’s raw and real, like plugging a Les Paul Custom into a JCM800.  Digital is beautiful, and I’m definitely an advocate of modern technology, but you just can’t get that purity any other way.

-Lear

Currently listening to: Deafheaven